Book Arts

Images for Altered Books and Other Art

Karen

I try, about every other month, to post public domain images on my web site on my Public Domain Images page to provide scans of pictures that people can use in their art. I love to purchase vintage magazines, postcards, and old books that contain beautiful engravings and photographs that I can use in my artwork. But I can’t use everything, so I occasionally try to share my stash. It takes some time and energy to scan, fix-up, resize, and upload the images, but I don’t mind. I don’t like the idea that these lovely illustrations and photographs will disappear and be forgotten. Hopefully they will be used by others to make something beautiful. This month I have added three pages of Valentine Pictures, just in time for February. Have fun with them!

New Altered Books on Exhibit

Karen


The Children’s War

Today I spent about four hours working with my new artist friend, Phil, at Arts Benicia hanging this year’s Arts of the Community Show. I learned so much today. I was partnered up with Phil since he is the pro and I’m a newbie, and he did most of the work while I held the paintings and tried to keep up with all the mathematical calculations.

The idea is to keep the center of a pair of vertically hung paintings at 56″ from the floor. So you have to add the length of the two paintings (or three, or one), add two inches to four inches for the space between them, divide by two, find the center, find the measurement for where the wire hangs and . . . well, you get the idea. Even with a calculator, I’m still mathematically challenged, so I was lucky to have Phil there to help me get the hang of things. I learned that the larger of a pair gets hung down at the bottom so the top doesn’t look heavy. And that you have to hang a pair so that they’re centered with the paintings beside them. I know it sounds complicated, but it’s not so bad, really. The best part was getting a preview of all the amazing art work, although I didn’t get too much of a chance to look around. The exhibit runs from January 21 – February 26, so if you’re in the area, I encourage you to stop by and have a look. You can find directions, hours, and other info at the Arts Benicia web site.

This is my third year (I can hardly believe it!) showing art work at the community art show. Every year I’ve shown something different. The first year I had two pieces that were assemblage and collage on book covers. The second year I showed three of my Reliquaries. I got a lot of positive comments about those. There was nothing like them at the show.

This year I made three book sculptures; they are different from anything I currently have on my web site. They are pretty dark and serious. I used a lot of found objects, burning, tearing, painting. They were so much fun to make but very time intensive. My husband doesn’t know what to make of them, and my youngest son says they creep him out. My oldest son says they’re”sick,” which is supposed to be a good thing. So overall, I’d say response from the family has been fairly positive!

Going to the artists’ reception for the show is crazy. The gallery is pretty small and it’s always packed with people. You have to nudge your way around the room. It’s a good time to schmooz and meet new people–not really my strong points, although I’m really going to make an effort this year.

After I look at all the other art work, I like to hang-out non-chalantly by my pieces and eavesdrop on peoples’ conversations. I love hearing reactions to my work. This year should be the best. I’m sure there will be a variety of lovers, haters, and people who are just plain puzzled. I can’t wait!

An Altered Book :: The Gift

Karen

From my notebook. June 13, 2005

It’s mother’s day. We’re sittng on the porch outside my parents’ home. There’s six of us, sitting, talking– my mom and dad, by sister and her husband, and my husband.

A house sparrow has made a nest in the painted metal sailboats that hang on the wall. She’s tucked it beneath one of the brightly painted sails. There’s a little rust here and there where the paint has worn away. I can’t see the eggs, but I know they’re in there. Small, pale blue, lightly speckled.

We’ve scared the mother off, and she sits anxiously in a nearby shrub, waiting for an opportunity to return to her nest. Sometimes she tries to make it– bravely swooping in, but then quickly darting away when someone moves an arm or speaks too loudly.

I feel sorry for this bird for her and her anxiousness. I almost want to move everyone inside so she can get back to her nest.

She tries to approach again, resting on the top of the metal mast, watching warily, but then my dad waves his arm for emphasis and she flies off again. I’m agitated, like her. I can’t follow the conversaton. I watch her watch us, waiting.

She swoops again. This time she lingers on the edge of the boat and stays, gaining confidence. She slowly works her way behind that sail and settles down into the nest. She feels safe, hidden, protected. I see her small brown eye looking towards me. But I feel better now, knowing she’s back in her nest.

Two weeks later I’m back to help take care of Mom and to look after Dad. I walk onto the porch again to check on the birds. But when I look behind the boat for the nest, I find that it’s gone.

Inside the boats are seven delicate eggs. Remnants of the nest are strewn about here and there. I wonder if an animal got to it. But then, the eggs would probably be gone.

I ask my dad if he knows what happened to the nest.

“No. I didn’t even realize it was gone. Sandie,” he says to my mom, “do you know what happend to the nest that was in among the boats?”

“Oh those messy birds! I just can’t stand it. I had to clean up that mess.”

“But honey, that was a bird’s nest,” my father says gently.

“I just don’t care. They just can’t come around and leave a mess like that!”

“Okay, mom,” I say. “It’s okay.”

This is my new mom talking– the one who’s on the edge of being a stranger to me, and I to her. She’s the one I’m trying to get to know. Old mom cherished birds. Old mom took care of three or four bird feeders hanging full of seed near every window where she could watch them. Old mom could name every bird she saw. Old mom filled hummingbird feeders with sugar water, and called her daughters over every time a hummer came near.

My old mom was heartbroken by every bird who lost its life against an unseen window. She had bird guides and binoculars always at the ready. When two house sparrows built their house foolishily and precarioulsy in the narrow porch rafters two summers ago, she didn’t even want us going outside so as not to disturb them.

This new mother is a stranger to me. I want my old mother back, the one who would have done just about anything to protect the bird’s nest in the boat.

It’s five months since that I wrote that entry. I have created an altered book and written a poem about that moment. You can find it on my web site at Found Object Assemblages :: The Gift.

Altered Book Covers

Karen

I recently received the following email from an aspiring altered book artist: How do you prepare the hard cover itself to receive what is to be glued onto it?

First of all, I suggest leaving the cover for last. The reason is that if you plan on doing a lot of work in your altered book over a period of time, you don’t want to have to worry about damaging the artwork on the cover while you’re working on the inside of the book. Plus, if you put any three dimensional items onto the cover, it will be difficult to work inside the book if you need it to lie flat.

When you’re done with the inside, there are a lot of possibilities for how to decorate the front cover. If you plan on adding any embellishments, I would suggest using Golden soft gel medium. It has a nice, creamy texture that isn’t runny and it dries clear. Keep some baby wipes handy to wipe up any stray medium that squishes out as you press down on the items that you’re applying.

If the book has a cloth or paper-type cover, you can paint it first with acrylics. You can use a brush or even sponges to apply your paint. Be careful about over-wetting the cover; you don’t want it to warp too much. If the cover does warp, wrap it in waxed paper and put a weight on top of it. I use my pasta machine as a weight and it works great.

If the cover of the book has a glossy finish, I would recommend sanding the cover first to remove the plasticky surface so that things will adhere properly. You may even want to paint over the sanded surface with gesso to eliminate any artwork that is on the cover. This might take two coats of gesso to accomplish. I often sand the dried gesso again for a really smooth surface. Or if you’re looking for a textured finish, use rubber stamps, bubble wrap, combs, burlap or other textured items to press into the damp gesso to leave an impression.
On the other hand, you might want to allow parts of the title or cover illustrations to show through. It’s up to you.

Another possibility for finishing the cover of your altered book, is to cover it with decorative paper, which can be painted, embellished, or collaged for a really nice look.